Upcoming performances :
2024.12
Performance | 100yearsGallery, London ( UK )
2024.09
Sound Live Performance | PAS, Berlin ( DE )
2024.09
Dance Performance | NU Festival, Torino ( IT )
2024.06
Dance Performance | Residency, Attraversamenti, Rome ( IT )
2024.05
Sound Live Performance | Codex Club, Berlin ( DE )
2024.03
Sound Live Perfromance | Kaiser Archieve, Florence ( IT )
2024.03
Sound Live Performance | Irradia Sonora, Barcellona ( ES )
2024.02
Sound Live Performance | Wilbury Radio, London, ( UK )
2024.01
Dance Performance | Lavanderie a vapore, Torino ( IT )
2023.12
Radio show | Honk Kong Community Radio ( HKG )
2023.12
Live Sound Performance | Spanners Club, London ( UK )
2023.11
Radio show | Kiosk Radio, Bruxelles ( BE )
2023.07
Live Sound Performance | Cafe Oto, London ( UK )
2023.05
Live Sound Perfromance | Jazz is Dead Festival, Torino ( TI )
2023.05
Radio show | Fango Radio, Milano ( IT )
2023.03
Sound Live Performance | Codex Club, Berlin ( DE )
2023.12
Dance Performance | Galleria Giannoni, Novara ( IT )
2023.12
Sound Performance | Imbarchino, Torino ( TO )
2022. 08
Sound Installation | Kaos Festival, Kranj ( SLO )
2022.05
Radio show | Aaja Music, London ( UK ) 2022.02
Dance Performance | Teatro Maffei, Torino ( IT )
2021.12
Exhibitions | Kaos Festival, Kranj, ( SLO)
2021.08
Dance Performance | Imbarchino, Torino ( IT )
2021.07
Art Residency | Bologna ( IT )
2020.11
Dance Performance | Club to Club, Torino ( IT )
2020.10
Dance Performance | Carovana Art Residency, Cagliari ( IT )
2020.03
Dance Performance | Cine Dans, Amsterdam ( L )
2019.12
Dance Performance | Here Festival, Torino ( IT )
2018.11
Dance Performance | Next Independent Festival, Torino ( IT )
2018.07
Theatre Performance | Cafè Muller, Torino ( IT )
2018.05
Installation | Share Festival, Torino ( IT )
2017.12
Performance | PAO Festival, Oslo ( NO )
2017.04
Exhibition | Swishendecke Gallery, Wien ( AU )
2016.08
Exhibition | Varco Gallery, Rome ( IT )
2016.03
Exhibition | Cheap Festival, Bologna ( IT )
2015.09
Exhibition | Betahaus, Berlin ( DE )
2015.03
Exhibition | Vorspiel Festival, Berlin ( DE )
BE-FORE
The performance BE-FORE translate visual scenes into physical experiences. A reflections on urgency and dynamism of life in movement or wait.
Sound : Pedro Vian
Performer : Chiara Finelli, Cristina dal Ponte, Edith Ben, Stefi Juniper, Mattia Pagin, Mara Roberto, Elisabetta Tambornini.
The performance BE-FORE translate visual scenes into physical experiences. A reflections on urgency and dynamism of life in movement or wait.
Sound : Pedro Vian
Performer : Chiara Finelli, Cristina dal Ponte, Edith Ben, Stefi Juniper, Mattia Pagin, Mara Roberto, Elisabetta Tambornini.
META
Earth, Nature, woman: the being that animates them is the same that animates the leaf, the insect, the wind.
Through the sound of the gong a passage opens, the woman crosses it and transcends her individuality by participating in the rhythms of the universe.
The Fertilthe Energy that takes possession of her frees her from the bonds with the body.
The Movement returns primitive.
The gesture, the origin of language, becomes dance.
The activation of the hand as a sign awakening. The goal is also the point of arrival, as well as the origin and closure of the circle.
Screened at:
Cinema Massimo Torino
Lavanderie a vapore, Torino
Mirabilia Festival,
CineDans Fest, Amsterdam
Choreography and dance :
Paola Lesina
Film :
Marco Rezoagli
Earth, Nature, woman: the being that animates them is the same that animates the leaf, the insect, the wind.
Through the sound of the gong a passage opens, the woman crosses it and transcends her individuality by participating in the rhythms of the universe.
The Fertilthe Energy that takes possession of her frees her from the bonds with the body.
The Movement returns primitive.
The gesture, the origin of language, becomes dance.
The activation of the hand as a sign awakening. The goal is also the point of arrival, as well as the origin and closure of the circle.
Screened at:
Cinema Massimo Torino
Lavanderie a vapore, Torino
Mirabilia Festival,
CineDans Fest, Amsterdam
Choreography and dance :
Paola Lesina
Film :
Marco Rezoagli
HOT CONVERSATION - Falt records
https://falt.bandcamp.com/album/hot-conversation
Hot Conversation is a sound research project with strong conceptual connotations, exploring the relationship between language, nature, and perception through a radically personal and poetic approach. The work is based on a take of field recordings made in Monferrato with a portable recorder (Zoom), raw material that was then processed into a composition to generate an immersive and transfigured acoustic dramaturgy.
The starting point is the invention of an improvised and abstract language, a sort of expressive glossolalia, with both a communicative and ritual function. This sound code, devoid of recognizable syntax, acts as a vehicle for an erotic/esoteric relationship with the natural environment, activating an altered perceptual dimension in which the voice (human and non-human) dissolves into the sounds of the landscape.
The matrix of the project is surrealist: the intent is not so much to document a place as to transfigure it, evoking a parallel reality that emerges through the interaction between sound and imagination. In this sense, Hot Conversation is part of the tradition of situated sound practices, but alters their documentary assumptions in favor of a psychedelic, visionary, and deeply subjective experience.
The album represents an escape from linguistic and urban rationality: a search for primary and sensory contact with the environment, where sound becomes a device for accessing other dimensions, between intimacy and transcendence. The result is a layered, introspective, and disturbing listening experience that traverses liminal emotional states in search of a secular and contemporary rituality capable of generating meaning, healing, and catharsis.
The element of ritual is central: each track is configured as an act of invocation, a sound liturgy composed of voices, silences, natural noises, and distorted acoustic signals. The acoustic landscape of Monferrato is therefore not just a backdrop, but an active agent in the construction of the sound experience—participating in an interaction that tends toward the fusion of subject and environment.
In continuity with the cassette release of the same name published by Falt, this new iteration of Hot Conversation deepens the process of hybridization between environmental recording, vocal improvisation, and compositional treatment, situating itself in a liminal territory between sound art, acousmatic music, and vocal performance.
https://falt.bandcamp.com/album/hot-conversation
Hot Conversation is a sound research project with strong conceptual connotations, exploring the relationship between language, nature, and perception through a radically personal and poetic approach. The work is based on a take of field recordings made in Monferrato with a portable recorder (Zoom), raw material that was then processed into a composition to generate an immersive and transfigured acoustic dramaturgy.
The starting point is the invention of an improvised and abstract language, a sort of expressive glossolalia, with both a communicative and ritual function. This sound code, devoid of recognizable syntax, acts as a vehicle for an erotic/esoteric relationship with the natural environment, activating an altered perceptual dimension in which the voice (human and non-human) dissolves into the sounds of the landscape.
The matrix of the project is surrealist: the intent is not so much to document a place as to transfigure it, evoking a parallel reality that emerges through the interaction between sound and imagination. In this sense, Hot Conversation is part of the tradition of situated sound practices, but alters their documentary assumptions in favor of a psychedelic, visionary, and deeply subjective experience.
The album represents an escape from linguistic and urban rationality: a search for primary and sensory contact with the environment, where sound becomes a device for accessing other dimensions, between intimacy and transcendence. The result is a layered, introspective, and disturbing listening experience that traverses liminal emotional states in search of a secular and contemporary rituality capable of generating meaning, healing, and catharsis.
The element of ritual is central: each track is configured as an act of invocation, a sound liturgy composed of voices, silences, natural noises, and distorted acoustic signals. The acoustic landscape of Monferrato is therefore not just a backdrop, but an active agent in the construction of the sound experience—participating in an interaction that tends toward the fusion of subject and environment.
In continuity with the cassette release of the same name published by Falt, this new iteration of Hot Conversation deepens the process of hybridization between environmental recording, vocal improvisation, and compositional treatment, situating itself in a liminal territory between sound art, acousmatic music, and vocal performance.
PLEASE DON’T GO
Please Don't Go is an essential performance that focuses on the relationship between time, attention, and expectation.
Inspired by the thinking of Byung-Chul Han, in particular his book The Burnout Society, the performance questions the paradox of contemporary freedom: the constant obligation to be active, visible, productive especially in our free time. In a cultural context in which boredom is avoided and ‘empty’ time generates anxiety, Please Don't Go proposes a radical and subtractive theatrical gesture.
Three performers cross the space in silence, in four stages back and forth. The journey, devoid of variations or recognizable “events,” lasts 35 minutes. The audience is invited to stay, not to leave, to sustain. The absence of climax or spectacle becomes a perceptual challenge: the threshold of attention cracks, boredom, frustration, and desire emerge.
In that slow and dilated space, another, non-productive time also opens up, leaving room for listening, contemplation, and thought.
Please Don't Go is an embodied reflection on resistance to entertainment and the possibility of restoring meaning to time that serves no purpose.
Please Don't Go is an essential performance that focuses on the relationship between time, attention, and expectation.
Inspired by the thinking of Byung-Chul Han, in particular his book The Burnout Society, the performance questions the paradox of contemporary freedom: the constant obligation to be active, visible, productive especially in our free time. In a cultural context in which boredom is avoided and ‘empty’ time generates anxiety, Please Don't Go proposes a radical and subtractive theatrical gesture.
Three performers cross the space in silence, in four stages back and forth. The journey, devoid of variations or recognizable “events,” lasts 35 minutes. The audience is invited to stay, not to leave, to sustain. The absence of climax or spectacle becomes a perceptual challenge: the threshold of attention cracks, boredom, frustration, and desire emerge.
In that slow and dilated space, another, non-productive time also opens up, leaving room for listening, contemplation, and thought.
Please Don't Go is an embodied reflection on resistance to entertainment and the possibility of restoring meaning to time that serves no purpose.